The amo (Spanish) https://t.co/JN16UqlDfr
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Do you like rabbits? 🐇
Thinking about rabbits … 🤔
Reminds me of this!
Alice: 🤷 “How long is forever?” 🐰 White Rabbit: “Sometimes, just one second.” 🤦
Thank you Lewis Carroll 😆
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There is always room for everything!pic.twitter.com/9MFITwy9U2
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Google made the most significant update to its search algorithm in five years on October 21, 2019, for English-language queries, including FeaturedSnippets. The BERT algorithm will help better understand the intent behind users search queries BERT https://t.co/tLohVZoUYp https://t.co/uXaXUe92he
Andrew Lloyd Webber knows exactly what you think about him.
In his memoir “Unmasked,” from Harper Books, the composer behind “The Phantom of the Opera” and other earworm-rich Broadway musicals extensively quotes negative reviews of his shows.
Book description “You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre.” One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera—Broadway’s longest running show—and most recently, School of Rock. In Unmasked, written
in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him.
The son of a music professor and a piano teacher, Lloyd Webber reveals his artistic influences, from his idols Rodgers and Hammerstein and the perfection of South Pacific’s “Some Enchanted Evening,” to the pop and rock music of the 1960s and Puccini’s Tosca, to P. G. Wodehouse and T. S. Eliot. Lloyd Webber recalls his bohemian London youth, reminiscing about the happiest place of his childhood, his homemade Harrington Pavilion—a make-believe world of musical theatre in which he created his earliest entertainments.
A record of several exciting and turbulent decades of British and American musical theatre and the transformation of popular music itself, Unmasked is ultimately a chronicle of artistic creation. Lloyd Webber looks back at the development of some of his most famous works and illuminates his collaborations with luminaries such as Tim Rice, Robert Stigwood, Harold Prince, Cameron Mackintosh, and Trevor Nunn.